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Diana Tamane – Flower Smuggler'If we look briefly at what makes good art, it is of course to work with what is in front of us. Inventions are good, but if the point of escape into the unknown is the known, even better. Certainly nothing is more readily available than ones own family. It is a matrix we will never leave, and if we escape it, we inevitably escape in relation to it. Diana Tamane worked with the image material her family generated on many formal and technical layers,

she shares the tools and principles used by some of the world’s best storytellers and helps you apply them to your own

Dimitri Broquard's scrawled

This style gave rise to personal works as well as Pfeiffer’s legendary posters for the Zürich Filmpodium

Fulford fills the shoes of observer and protagonist

a confused game began between the master

dedicated to the work of Italian director

and Elodie Pong

Maryam Nassir Zadeh

Echo presents eleven groups of works

range widely from Zürich’s Bahnhofstrasse and nocturnal street scenes to patterns in ice and portraits of the artist Anton Bruhin and Züst’s own family

It concerns inaction

In Japan there are still many traditional houses

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